HAWAII VOICE AND SPEECH STUDIO
  • Home
  • About
  • Telepractice
  • Services
  • Forms and Policy
  • Contact
  • Blog

Diaphragmatic Breathing—What is it?

2/16/2017

2 Comments

 
How can I learn how to breathe from the diaphragm?  Don’t singers breathe from their stomachs?  
​Whoopi Goldberg pushed that nun’s belly and made her sing louder. How do I do that? 

These are some of the questions I’ve heard while working with voices. They all focus in on the confusion of what the diaphragm is and why we care about it while we sing or speak. Really the question should be, how do I use my ability to control the speed of my breathing to improve my singing or speaking? 
 
What is “breathing from the diaphragm, what does it do?”
Diaphragmatic breathing can be defined in one word—BREATHING. The diaphragm, in technical terms, is the largest muscle involved in breathing. All mammals have a diaphragm. Indeed, if you did not have one you would most likely not survive, as evidenced by the high mortality rate of those born with no diaphragm or a highly deformed diaphragm. While all mammals have a diaphragm, the human diaphragm is the only one that can remain parallel to the floor even while moving, as noted by Kitaoka and Chihara in a 2009 article in the journal Advance in Experimental Medicine and Biology. They argue that this allows us to have greater control in the velocity of our breathing.   
 
This greater control allows humans to change their breathing patterns to suit what they are doing. Indeed, we shift our breathing partially because of the brain’s role in body regulation (e.g. while running) but also by volition (e.g. trying to time our breathing while in a swimming race). We do this with the help of the diaphragm and more than thirty other support muscles. 
Can you see the diaphragm?
My favorite video for visualizing the workings of the diaphragm is actually one for yoga breathing. However, you can see humans “breathing from the diaphragm” non-voluntarily by observing anyone breathing in a relaxed manner. My favorite example is a baby. A baby’s chest does not rise, yet you can see an expansion in their lower torso and hear the results when they cry! 
How can we use it to sing or speak better?
Of course, when we begin to sing or speak in a prolonged manner, we need to shift that pattern again. We still use our diaphragm, but now we need to slow down the rate of inhalation and exhalation, which allows us to gather more air, which in turn provides the energy for our vocal folds to vibrate for a sustained period of time. 
 
Do I need to push my belly to use the diaphragm? 
In a word, no.  Here is where the Whoopi Goldberg example becomes relevant. The point of using our ability to control the velocity of our inhalation and exhalation is to ensure there is enough energy for an entire phrase. In the movie “Sister Act,” after the young nun inhales by contracting her diaphragm and other support muscles, the character played by Whoopi Goldberg pushes the young nun’s abdomen inwards and pushes all her air out. It works for one note... what about the rest?
​
Rather than pushing air out, a singer or speaker needs to control the speed of exhalation by controlling the natural relaxation of the muscles. The vocalist is then perfectly situated to contract the muscles to take in another breath. This allows a continuous flow of air for an extended length of time. ​​

There are a few ways to become mindful of this controlled relaxation and to use it. One way is monitoring how your torso is moving, by gently placing your hands on the lower ribs (those not connected to the sternum).  In this way you can feel as the ribs expand (or don’t expand).  Melanie Tapson, a fellow vocologist, talks about this expansion as being three dimensional - you should feel the ribs expand forwards, backwards, and sideways.   
We need to slow down the rate of inhalation and exhalation, which allows us to gather more air, which in turn provides the energy for our vocal folds"
Another way to aid the relaxation and the contraction of the diaphragm is simply by ensuring your posture is upright and natural.  Richard Miller called it the “noble position”, basically it is the position where the chest is raised high enough to ensure the diaphragm and abdomen can expand, however, not so high that it interferes with the ability to move the shoulders, neck and chest smoothly.  Simply raising the chest aids in “breathing from the diaphragm” because if the diaphragm is free to move, it will.

As all breathing is breathing from the diaphragm, it is important to be mindful of it as you are singing.  The good news? It’s easy! You were designed to control the diaphragm. Doing so will allow you to energize your voice.
2 Comments
Julian
4/18/2020 08:27:40 am

Bravo, this is a lovely blog and a great article!

Reply
Trissa Walter link
4/18/2020 04:52:02 pm

Thank you for your kind words!

Reply

Your comment will be posted after it is approved.


Leave a Reply.

    Trissa DiBenedetto WAlter 

    Is a singer, voice teacher, speech language pathologist, and certified vocologist

    Archives

    July 2020
    May 2020
    April 2020
    October 2019
    November 2018
    October 2018
    June 2018
    May 2018
    October 2017
    August 2017
    July 2017
    June 2017
    February 2017
    May 2016
    February 2016
    January 2016
    November 2015

    Categories

    All

    RSS Feed

Home

About

Services

Contact

BLOG

Copyright © 2020
  • Home
  • About
  • Telepractice
  • Services
  • Forms and Policy
  • Contact
  • Blog